Saturday, 12 October 2019

Dungeon Gits - full pdf download (PWYW)


Earlier in the week I was knobbing around on the blog and came up with a little set of rules called Dungeon Gits. Because I can't let things go, I've expanded on the rules, cleaned them up and put them into a downloadable formatted pdf just for you. How nice of me.

You can PWYW for the DriveThru version. I've asked for at least $1 for the Itch version, so it's entirely your choice. If you're already a member of my Patreon, you will be able to download it from there.

DriveThruRPG link
Itch.io link


Friday, 11 October 2019

Join my Patreon

I've given my Patreon a refresh, so if you fancy one or two monthly goodies go sign up. New backers now have access to Echoes of the Labyrinth.

https://www.patreon.com/scottmalt

Sunday, 6 October 2019

Dungeon Gits - simple roleplaying


As you know, I love creating little systems. It's pretty much my favourite thing. So here's a really easy tiny game for a trad fantasy setting with low/ no magic. Inspired by Tunnel Goons by Nate Treme. I call this Dungeon Gits.



Two attributes: Bashing and Not Bashing. Bashing is used for anything strength related as well as all combat. Not Bashing is everything else you can do.

Split 3 points between them, with 0 being the minimum. HP is 10 plus Bashing.

Next, choose three Knacks. This is any skill your character has. It's up to you what this is, but run by the GM. A Knack gives a +1 bonus to a Test.

Name your character and give it a Class name based on its stats and Knacks.

Tests are rolled when an effort could end in failure with consequences. Roll 2d6 + an attribute + a relevant knack + any item bonuses. If you roll a 10 or more in total the Test succeeds. If you roll a natural 12 you get a Crucial Success, meaning you gain a Hero Die. You can only have up to 3 hero dice at any one time. You can also get a Crucial Success in combat. If you roll a natural 2 at any time you lose a Hero Die. If you can't lose one, nothing special happens.

Using Hero Dice: you may spend a Hero Die whenever you have to roll. To do this, roll your Hero Die in addition to you usual dice. You can spend as many Hero Dice as you like in this way.

Combat: When attacking an NPC the players rolls 2d6 + Bashing + Weapon bonus. The roll must exceed the NPCs defense score (DS). If it succeeds, damage is done to NPC HP equal to the amount the attack exceeded the DS. If if fails, no damage is done.

When an NPC attacks, the player rolls 2d6 + Bashing + Armour bonus. If it equals or exceeds the enemy DS they take no damage. If it doesn't, damage is done to player HP equal to the difference between the roll and the enemy DS.

Combat participants get one action each, including movement (30ft), attacking, using an item or doing a stunt. For initiative, players go first in order of highest Not Bashing first. Decide between you on a tie. Enemies go after in whatever order the GM wants.

You can only use weapons or armour with a bonus equal to your Bashing attribute.

Weapons: Dagger or sling (1), shortsword or bow (2), longsword or longbow (3)

Armour: Hide (1), Chain (2), Plate (3)

Start with 1d6+10 copper pieces. Weapons and armour cost 10 X their weapon bonus in copper.

Your Backpack is equal to Bashing + 5. This determines how many items you can carry. Anything bigger than a fist counts as 1 item. Anything bigger than a leg counts as 2 items. For every point you have over, reduce Not Bashing rolls by that much. Also reduce movement by 5 feet for every item over.

Levelling up: after 3 sessions, level up. Gain 1 point in one attribute and +3 total HP.  Cap out at level 5.

Bestiary example:

Goblin, DS6, HP 3
Skeleton, DS7, HP 5
Orc DS8, HP8
Giant, DS9, HP 10
Ogre, DS10, HP14
Dragon, DS15, HP25
Titan DS16, HP40

Example character:

Phineas Schneed
Slinker
B: 2
NB: 1
HP: 13
Knacks: Sneak, Acrobatics, Thieving
Equipment: Dagger (1)





Saturday, 5 October 2019

Delvecast episode 5: Romance of the Perilous Land

This episode I talk about Romance of the Perilous Land a bit more, seeing as though review copies seem to be landing on people's doorsteps.

Enjoy: https://anchor.fm/scott-malthouse/episodes/5--Romance-of-the-Perilous-Land-e67egr

Friday, 4 October 2019

The Eye of the Beholder documentary


On Amazon Prime you can now watch Eye of the Beholder: The Art of Dungeons and Dragons, a great documentary covering the legacy of art in D&D as told by some of its greatest artists.

Definitely recommend.

Thursday, 3 October 2019

We need to talk about Wendys' roleplaying game


I saw a teaser for something that fast food joint Wendy's was doing with roleplaying and today it seems the FAST FOOD COMPANY has dropped a nigh on 100 page fully illustrated roleplaying game for some reason.

Feast of Legends, a title that makes little sense, is a downloadable PDF that includes rules and a campaign that, if we're serious, nobody will play because it's garbage advertising.

It's pretty much D&D, but some of the stats are different and you roll 4d4 to generate stats because of something about $4, which I assume means something to people who eat there. Instead of classes you have Orders, where you get shit like this:

Adventurers who choose the Order of the Chicken Nuggets are often small and quick, but they pack an unexpected punch.Th ey bring great fl avor to the party and are a wonderful addi-tion to any combo of adventurers in Freshtovia.

Often overlooked at fi rst but always remembered after, those of the Order of the Chicken Nuggets are truly undeniable with their record-breaking reputation.

Aaaand this:

Tight, compact and packs a punch.The Order of the Jr.Bacon Cheeseburger is for the efficient warrior; no movement or moment is wasted.These characters appreciate the great flavor of many things coming together in one tight space.

What the actual fuck does that even mean? This isn't enjoyable - it's insanely on the nose advertising that's positively masturbatory about its own brand.

Hey, don't get me wrong - WORK went into this. There are lots of orders and the rules seem to work. Hell, I even quite like the Feast Mode mechanic that gives you advantage on a turn after a crit. But then there are mechanics like this:

As you’ve probably discerned, food is a major aspect of Feast of Legends. As such, what you’re eating in the real world will create direct buffs that affect your character in the game. Each of these buffs will go into effect for the entire 
duration of play for the day. So you might want to swing by your local Wendy’s or hit up delivery real quick.

Nope. No thanks. A mechanic designed to optimise conversion rate?

I've not run through the full adventure, it's a tonne of read aloud and full of stuff like this:

You come upon a huge stone door with three large dials on its face. The dials have the numbers 1-2-3-4 on them and face north, east, south, and west.Each dial currently has the “1” at the top.Upon further inspection, there is an inscription on the door below the dials that reads: “Thrice repeat-ing, nice for eating, a meal? A deal? A steal for certain"

Ohh, because it's that $4 thing again. That's what people want when they're playing games with their friends - to be advertised to at an astonishing rate. Every other sentence is an ad.

I'm not completely against a brand creating a roleplaying game, but understand that what people like about games is NOT your brand - it's good ideas.

Look, I admit that I'm putting on the rage a bit. I work in PR, I understand what this is. But at the same time, it's a roleplaying game that people are meant to play and I talk about roleplaying games. This is dire.

Wouldn't mind a chicken sandwich right now.

Wednesday, 2 October 2019

English Eerie coming to Spain

I'm very happy to announce that English Eerie will be released in Spanish by El Refugio de Ryhope. I won't go into details at the moment, but it won't just be a translation of the English version.

English Eerie is my gold-selling solo rural horror storytelling game that allows you to create a story of terror based in the English countryside using a card-based mechanic. You can pay what you want for the download.

Tuesday, 1 October 2019

A peek inside Romance of the Perilous Land

Last week Osprey delivered my advance copy of Romance of the Perilous Land and I've not stopped salivating since. It's such a lovely book, so I wanted to show some of it off.







Monday, 30 September 2019

Delvecast episode 4

I did another episode! What a guy I am. I talk a little more about yesterday's post about the problem with D&D, and give a few shout outs to new games. 


Please call in and leave your message. 

Sunday, 29 September 2019

The problem with Dungeons and Dragons

Dungeons and Dragons is a subcultural phenomenon, there's no denying it. With D&D, Gygax and Arneson created an entirely new form of entertainment and little would they comprehend that when they formed those rules that it would become the behemoth it is today. D&D is great - it's the touchstone of the hobby and generally a lot of fun. But there's a problem with it.

Wizards made some incredibly smart decisions with 5e, from larger event-based releases to bringing streaming into the forefront of their marketing. It's worked effectively and as such the game is likely bigger than ever, with approximately 13.7m players worldwide. Target had an exclusive on the Essentials Kit, Rick and Morty and Stranger Things sets exist, tapping into a broader, non-gaming audience. The media is now constantly talking about D&D. But this is the problem. They're talking about D&D - not tabletop roleplaying games. Tabletop roleplaying games aren't getting more popular - D&D is.

Imagine if every videogame were referred to as Super Mario, or every book The Da Vinci Code. It sounds ridiculous, but that's what D&D is right now - shorthand for every single RPG out there. I see questions online about how you'd play a horror game using 5e. You wouldn't - there are plenty of games specifically for horror.

The problem is, this skews people's expectations about what roleplaying games are. This is supported by Twitter discourse, where so many default discussions are about D&D. Don't get me wrong, there are lots of really cool, smart people who are super into D&D. I'm not knocking the players here, just the culture that means it's tougher to build a playerbase for a different game because there's not a Critical Role or a Stephen Colbert or millions of dollars being funnelled into the game. I worry that so many indie creators who are doing exciting, bleeding-edge stuff aren't getting a look in because of the D&D monopoly.

But there could be a silver lining here. D&D, in general, is a gateway drug to the rest of the hobby. It's where I started decades ago. We could see a post-D&D movement where more people begin to explore other options. More people in the hobby is good for the hobby - they just need to peek of our from behind the DM screen and see the vast world beyond.



Saturday, 28 September 2019

Throne of Eldraine prerelease report

As I said previously, I decided to get back into Magic: the Gathering (a bit) by attending today's Throne of Eldraine prerelease tournament.

I was under no illusion that after several years of not playing I'd be pretty rusty, but really it's just a fun game to play and the new set is pretty much made specifically for me. One game turned into a good fight as I sacrificed pies, hogs and fruit for my witch to do damage to the opponent. Thematically, this is a really strong set and the art is impeccable. 

Alright, so I ended up winning one, drawing one and losing three (although the last was pure lack of mana). Even so, I met some new people and had a lot of fun. 

I'm not going to get back into Magic full time - it's a money drain and I'm not a fan of modern constructed, which rewards cash, not tactics. Sealed limited is where it's at for me - everyone is pretty much on an even keel. So I'll probably purely attend prereleases in future. 

Friday, 27 September 2019

Against the Darkmaster Kickstarter coming October 22nd


Most of us have been waiting a fair while for the reveal of Against the Darkmaster's Kickstarter date and now it's finally here.

The design team on the game, which is a MERP-inspired epic fantasy, appeared on the Grim and Perilous Twitch channel today to talk about the upcoming book, offering some new glimpses.

The team have now set a Kickstarter live date of October 22nd. The team promises some extra treats when the project goes live.

Thursday, 26 September 2019

Throne of Eldraine is bringing me back into Magic


How could I resist it? When I saw a few months back that Magic: The Gathering, the greatest money-sink in the universe was releasing a set that mashed up Arthurian legend and fairytales, how could I even possibly NOT buy everything?

I've not played Magic properly for a good few years. I've played some Arena online and some of the apps and games on the old computer machine, which are always fun, but by heck, I'm really smitten. So smitten that I pre-ordered and subsequently devoured The Wildered Quest, the novel that was released prior to the set. Oh, by the way, it's a really good read.

So I'll be going to the prerelease tournament this weekend and getting valiantly rogered by my opponents. Will let you know how that goes. Anyone else playing?

Image: Wizards of the Coast

Delvecast ep 3. Echoes of the Labyrinth

It's been a while since I did a podcast, so I thought it was time to get back on the bandwagon.

This episode I talk a bit about Echoes of the Labyrinth, my new OSR T&T-inspired game.

Listen here: https://anchor.fm/scott-malthouse/episodes/Ep-3--Echoes-of-the-Labyrinth-e5idgb

Also, do leave me an audio message!

Sunday, 22 September 2019

Echoes of the Labyrinth out now


There's no rest for the wicked. Today I released Echoes of the Labyrinth, a T&T inspired mini roleplaying game using the rules I first cooked up in Delvers of the Underchasm.

The concept is that in the centre of the world is the Labyrinth, part architecture, part god. The Labyrinth calls out to certain people, known as Yearning Delvers, and enchants them to delve into its depths in the hope they will die and their souls will be devoured by the god.

The mechanics are T&T-like, with pooled combat and cool stunts. Foes are simple to create on the fly.

Download from Drivethrurpg or Itch.

Sunday, 15 September 2019

Five tricks and traps for your game


1. Mirror spear: A long mirror is placed on a false wall. Behind the mirror is a spring loaded spear trap, 3 spears (3ft in length), each arranged to hit the average human, dwarf or halfling in the face. A pressure plate at the door of the mirror releases the spring, send the three spears through the back of the mirror and into the viewer. Works best if you write a load of nonsense on the mirror so the victim has to closely inspect it.

2. Poison Statue: A false door is installed with a brick wall behind it. A statue is placed in the centre of the room, its eyes and mouth hollow. Inside the statue is a cannister of paralysing gas. A wire runs from the door, under the floor, up the statue and around a cork top on the cannister. When the door is opened, the cork pops out and gas spills into the room, paralysing all and sundry.

3. False lava: A cute play on the old checkerboard trap. A 50x50 checkerboard forms the floor. Many of the checks are red hot lava, while others appear to be cool stone you could jump on. Not so. As an illusion placed on the room by a crystal chandelier, the spaces that appear to be lava are actually safe, while those that look like stone are boiling lava. Smashing the chandelier breaks the illusion.

4. Magnetic inferno: A trophy is loaded onto a pedestal, with wires running around the room and through the trophy, creating a circuit. The ceiling is metal and electromagnetic. Attached to the ceiling are 100 small metal balls full of oil. Two burning torches on the walls are also magnetised. When the trophy is picked up, the circuit is broken and the balls fall, breaking and spilling oil everywhere. The torches also fall, igniting the oil and the floor of the room. Place two more trophies near the circuit trophy to add some extra peril.

5. Sponge walls: a short corridor has sponge walls. Behind each wall are a series of cauldrons on shelves. When a pressure plate in the corridor is pushed, the wooden legs holding the cauldrons up fall down and the water flows into the sponge walls, causing them to rapidly expand, smothering anyone in the corridor.

Sunday, 8 September 2019

The Purple Hashish House


Adventure hooks:
- The vizier is visiting his favourite hashish house and needs guarding
- There are rumours a group of leprechaun thieves works out of the house.
- A frost wand was stolen from a local Wizard who believes the miscreants frequent the house.
- A dwarf thief with a manticore trapped in an opal was seen in the house. The Extreme Guild of Merchants will pay 1000gp for it.
- You're hired by rat people to assassinate the vizier for his crimes against their kind.


1. Entryway: A lounging catfolk (MR14) lazes, playing with a yellow frog called Ereep (MR4 - does 1d6 damage if touched with skin). A silver mechanical bird sits by his feet, picking the sand from his toes. A grouchy bonobo (MR12) wearing an emerald eye patch (30gp) is serving ice cold camel milk for 2sp. Patrons pay at a small counter manned by an over-enthusiastic pink djinn called Tamara (MR40). She can cast 3 spells 3rd level and under.

2. Massage parlor: Three geckomen nomads (MR20) set their poisoned spears on a rack. Two are getting roughly massaged by a talkative pelican woman (MR10). One smokes a long pipe and watches their belongings (10gp, spears, scorpion venom, smoked frogs). A quiet elf called Heloras (MR16) is looking for a stolen dragonfly brooch.

3. Royal den: A smooth-spoken turbaned ostrich visier (MR34) takes deep huffs of a yellow pipe, rapier in his belt. Two overworked fairy handmaids (MR8) cast water spells to keep him cool. A pouch of 30gp sits unattended. A blue cobra (MR26 - spite 1/ extra 3 damage) slithers in. A rotund selfish astrologer inspects a silver dragonfly brooch (300gp).

4. Main den: A pink haze lingers. A suspicious dark hob (MR20) in sparkling robes sits with his two-headed tiger (MR80), telling it old stories in a dead language. An assassin of the Green Cobra disguised as a forgetful old lady (MR60) sips jasmine tea and scans the room cautiously. A chattering blue imp (MR16 - can cast wink wing) scurries around carrying a manticore opal (if smashed, an MR120 manticore emerges), chased by a drunk dwarf thief with one arm. A glass bottle of lilac perfume belonging to the imp sits on a small table (25gp).

5. Backroom: Guarded by a 7ft sarcastic sand golem (MR86). Three robed leprechauns (MR22) are counting blood money at a sandy table. A devious fat rhino woman (MR40) paces the room, complaining about discretion and paying off the city guard. A green concoction sits on the table that increases CHA by 10 for an hour when drank.

6. Secret underground chamber: Three demon rats (MR30) plot to assassinate the visier with a frost wand (three uses, costs 5 WIZ, does 2d6 CON damage and immobilises for 1 minute). They speak the language of the desert. Cases of hashish are stacked against the wall. It smells sweet.

Random encounters. Roll 1d6.

1. A boastful purple djinn (MR36) barrels through the door, challenging anyone to a sprinting contest.
2. An eloquent elephant soldier (MR70) charms a cobra.
3. A noble emerges from the main den, a dagger deep in his gut. He says the words "snake scar" before dying.
4. Two demon belly dancers (MR28) entertain a pale elf Wizard called Lania (MR80). She holds an ever-refilling goblet of wine and eats skewered fire drake.
5. An elderly puppeteer (MR10) has an argument with her sentient llama puppet (MR12) over who will pay the bill.
6. The snake sultan (MR28) walks in with a retinue of four royal guards (MR32). People fawn over him, asking for a slither blessing.

Saturday, 24 August 2019

Rick Loomis has passed

I'm saddened by the news that gaming luminary Rick Loomis has passed away. I'll be doing a full post tomorrow.

Rest in peace, Rick.

Sunday, 18 August 2019

Gaming legend Rick Loomis needs your help


Recently Rick Loomis, founder of Flying Buffalo and all round gaming icon, has been undergoing treatment for cancer. Unfortunately this has left him with staggering medical bills in the tens of thousands of dollars. This is where you come in.

There's a gofundme page set up for Rick and your donations would be hugely appreciated.

Please dig deep for the guy who published Tunnels and Trolls, Nuclear War, Grimtooth's Traps, and who was one of the pioneers of PBM roleplaying games.

From this week, all sales from any Tunnels and Trolls product from Trollish Delver Games on Drivethrurpg will go directly to funding Rick's medical bills.

Saturday, 10 August 2019

The Midnight Chimes out as part of Tunnel Goons Jam


Just a quick update to say I've released a new game as part of Nate Treme's Tunnel Goons Jam over on Itch. Tunnel Goons is a simple one-page d6 game using classes as stats. I quite like it.

The Midnight Chimes is a Victorian pulp horror game in a few pages, inspired by The League of Extraordinary Gentlemen, Hellboy and Penny Dreadful.

While Tunnel Goons has three classes to pop your points into, I decided to widen this with six archetypes: Ruffian, Hunter, Occultist, Priest, Acrobat, and Aristocrat. Putting points into archetypes determines the type of skillsets you have.

I've introduced Afflictions into the mix. These are what make your characters ghastly, but superpowered. These include Hyde, Invisible, Vampyre, Shadow and Demon. There's also a Ghost Affliction you get if you die.

To round off a character, you gain a knack. This offers another edge, whether it's being better at swordfighting, guns or simply being able to dismember an opponent easily.

I've included a monster codex and an extended play example in the mix.

You can download for free (at the moment) at itch.

Monday, 22 July 2019

Modiphius resurrects Edgar Rice Burroughs books with original stories


Holy fucking shit, my friends.

Just received the following email from Modiphius:

San Diego Comic Con has been running over the weekend and there's been exciting announcements for fans of John Carter from the Edgar Rice Burroughs panel.
A series of new novels based on characters from the world of Burrough’s have been announced for release, these new tales will expand on the original stories and form part of the new official canon.
Book one, Carson of Venus: The Edge of All Worlds, will be written by Matt Betts.
Book two, Tarzan: Battle for Pellucidar, will be written by Win Scott Eckert. It’s slated to be a mad cap pulp tale with Ape Men fighting WWII Nazis riding dinosaurs.
Book three, John Carter of Mars: Gods of the Forgotten, will be written by Geary Gravel.
Book four, Victory Harben: Fires of Halos will be written by Christopher Paul Carey and introduces a new character to the world Victory Harben.
The books will be published in 2020 and will form part of a ‘super-arc’ of connected stories.
Burrough’s The Land that Time Forgot is potentially going to be adapted into a television show, a script has been written and with any luck will go into production.
Dear lord, that's tasty. Most people are excited for the slew of 5000 Marvel shows and films next year, but this right here is hitting my sweet spot.

Wednesday, 17 July 2019

Vote Trollish Delver Games for Fan Favourite Publisher

A very quick update to say that ENnie voting is live and you can cast your vote for Trollish Delver Games as a fan favourite publisher: http://www.ennie-awards.com/vote/2019/index.php

I'd really appreciate it if you took a few seconds out to vote for me. Thank you.

Monday, 15 July 2019

Fishguts Village


The rank aroma of rotting herring wafts through the crooked, slimy streets of Fishguts Village. The place is populated by humanoid amphibious fish people called Troot.

You meet a random villager (D12)

1. Pollock the landlady has blood on her apron and a fishhook in her pocket
2. Breamer Basher, dandy man about town can't get enough of that anemone dust. Sends him wild
3. Corporal Haddock, wearing purple military colours. He's seen something down the cove and is off to hunt it
4. Reena Codder, detective with the degenerative snooks disease. Two weeks to live. This was no accident.
5. Sparks Flatfish, young, muscular adventurer. Sliced open his boyfriend and ate his insides. Great poker player.
6. Marlin the coot. Old man who's seen it all. Has premonitions. Some people want him gone.
7. Chummer Lorris, the spearsmith. One milkly eye. Mostly drunk.
8. Sharks Mcginn, gangster, tough guy and heavily religious. Runs this village.
9. Barbara Cuda, femme fatale. Bright red. Transforms into a human on a full moon.
10. Clowny the tramp. Lives within the shadows of the village and sees more than most. Can hook you up with the good stuff. The stuff is actually terrible.
11. Whitey Baiter, wet wizard of Wattle Street. Raised his two kids from the dead and keeps them in his cellar. They're more feral than ever.
12. Goldie the Guard. Smart as a whip but loves to gamble. Lost everything. Wants it all back.

Nasty things lurk around Scud Bay (D12)

1. Hulking crawdads (HD3/ MR40)
2. Clairvoyant crab (HD2/MR 28)
3. Vomiting sea witch (HD2/MR 24)
4. Rocktopus (HD4/ MR50)
5. Alluring clam (HD1/ MR20)
6. Wizard of the Rockpool (HD3/MR42)
7. Lobster God, Mr'sha (HD7/ MR120)
8. Clowny's insane twin brother, Silas (HD2/MR28)
9. Troot mobster (HD1/MR18)
10. Seaweed golem (HD3/MR46)
11. Sand doppleganger (HD2/MR25)
12. Salty goblin (HD1/MR12)

What kind of food you gonna eat? (D12)

1. Pan fried seaweed with smoked peaches
2. Dried perch with crackers
3. Tuna yogurt
4. Plankton soup
5. Mackerel cheese and sea cucumber soufflé
6. River ham sandwiches covered in swamp flies
7. Trout truffles in blue wine
8. Chopped shark liver in an anemone parcel
9. Lobster prince and children
10. Squid surprise!
11. Whale blubber pie with gravy
12. Seahag slime

Troot omens (D8)

1. Sea snail trails mean gold tomorrow
2. A male has died, the harvest is denied
3. A silent seashell in the ear foretells a storm
4. No lobsters in the cage, the sea witch brings her rage
5. Blood moon on a weekend, the dead will rise
6.  Don't pick the red seaweed. You firstborn will perish
7. Three starfish on the beach signifies good fishing weather
8. Should the salmon disappear from the river, the kingdom will fall

Some PCs for Delvers of the Underchasm

First off, I've made a small patch update on the file which addresses a few things:

  • Small punctuation fixes
  • Skill Roll difficulties reduced after Easy
  • Rule for dual-wielding added
  • Gold is now Gold Coins
  • Clarification that unsuccessful combat stunts should have consequences
  • Armour has been reduced for all pieces

Housekeeping out the way, I wanted to share some of my newly-rolled characters. 

FLAMEBOY!
Red Dwarf Champion
Background: Disgraced city guard
Str 14, Dex 10, Mind 9, Spi 10, Charm 11, Luk 15
HP: 20
Combat points: 9
Weapons: Mace (5), Dagger (3)
Armour: Chain (3)
Kin Trait: Fire spell

Blibglib 
Goblin Scoundrel
Background: Misunderstood vigilante
Str 9, Dex 16, Mind 9, Spi 6, Charm 12, Luk 14
HP: 15
Combat points: 10
Weapons: Dagger (3), Sling (3)
Armour: Cloth (2)
Kin Trait: +2 stealth Skill Rolls

Azaryal 
Summer Elf Sorcerer
Background: Descendent of the High Mage of Greenfire
Str 8, Dex 14, Mind 18, Spi 11, Charm 8, Luk 7
HP: 12
Combat points: 4
Weapons: Staff (3)
Armour: Cloth (2)
Kin Trait: Immune to sleep effects

Sunday, 14 July 2019

Delvers of the Underchasm pamphlet RPG out now



I've just released a new pamphlet RPG called Delvers of the Underchasm onto itch.io and DriveThru. It's one of these two-side dealies, like I did with In Darkest Warrens. A complete game on a sheet of A4 and all that.

It's based on T&T - pretty heavily. I wanted to keep the dice numbers down, so it's all 2d6 plus a bunch of standard modifiers. Classes are Champion, Scoundrel and Sorcerer, and there are 11 kin to choose from, each with their own little special ability. The Red Dwarf can throw fireballs, the Brownie can turn invisible, the Winter Elf is immune to cold etc. Classes have little random background tables for some flavour.

I think it would be cool for this to be a nice core game to hook other pamphlets and blog posts onto.

You can get it from DriveThrurpg and itch.io.

Sunday, 30 June 2019

Against the Darkmaster: The Blightlord


Against the Darkmaster has taken a vice grip on my imagination and refuses to let go. Today the official blog posted an example of the Horned King of Annwn, the sort-of-default Darkmaster that takes more than a few cues from our lord and saviour Sauron.

So I've decided to create my very own Darkmaster, which is part of the point of the game.

Vestrian, the Blightlord


Appearance


Vestrian appears to many as a manifestation of their darkest fears, and sometimes their innermost desires. His actual form is obscured from all but his closest Hollow Bishops. He occasionally defaults to an impossibility emaciated, stretched figure wearing a three-pronged crown and draped in a sickly yellowing cloak.

Symbol


A white mask with a single black eye. Just observing the symbol can send someone spiralling into madness.

Dark Place


The Palace of Maladies


Vestrian does not exist within the mortal reality proper. His seat of power looms across foul dimensions, fractured in space-time. Within the city walls of Chane towers the vast Palace of Maladies, a structure of impossible dimensions and twisted angles. The rooms within shift and warp, very occasionally emerging in the mortal realm.

These entrances are most often revealed to those mad enough to glimpse them. On even more rare occasions, a fragment of Vestrian punctures through to the mortal realm, if only for a brief time.

Coveted Artefact


Vestrian's only hope of uniting his fractured persona into a single dimension is the Eye of Darkness, a jet black gemstone inset into a foul ring that exists only in the mortal realm. The Eye of Darkness belonged once to him until it was taken by Destria the Gluttonous as part of a powerful ritual. Before her power could spread too far, four heroes vanquished her, but the Eye was lost.

By retrieving the ring, Vestrian can once again return to his original state and expand his tyrannical empire of madness.

Servants


Lieutenants: Dark Mages, Nightmares

His Hollow Bishops, powerful mages warped by madness, and nightmarish beings indescribable to human tongues descent on the mortal realm with the objective of gathering worshippers to find the Eye of Darkness.

Minions: Men

The minds of men are malleable, too easily corrupted by promises of power. Acolytes of the Blightlord are growing in the ranks of humanity. Warnings that your very own husband, wife, son or daughter could be an Acolyte echo throughout the realm. Paranoia is rife, which only serves to feed the madness Vestrian craves.

Spies: Men

Vestrian's spies are the most frightening of all. They are everywhere, behind the local bar, teaching children, even in the courts of kings.

Powers


Maddening Visage: To look upon the face of Vestrian is to lose ones faculties. Even seeing a fragmented version of the Blightlord can have a powerful impact on the wisest hero. When you first look upon the symbol of Vestrian, you must make a WSR against attack level 1, with failure resulting in a -20 to Wits based rolls for an hour. When you first see a Fragment of Vestrian, you must make a WSR against attack level 5, with failure resulting in a -40 to Wits based rolls for an hour and being stunned for a round. When you first see the True Form of Vestrian, you must make a WSR against attack level 9, with failure resulting in you falling into a catatonic state for 3 hours, unable to take any actions or speak. After 3 hours, any Wits based rolls have a -60 penalty for 5 hours.

Art: Zdzisław Beksiński

Sunday, 23 June 2019

Romance of the Perilous Land officially announced by Osprey Games


I've had a busy month, which is why I've not been posting. However, it was a very exciting week because Osprey Games officially announced Romance of the Perilous Land as part of its new Osprey Roleplaying line, which also includes Paleomythic by Graham Rose.

So, yeah, it's all out there now. I've been making some final edits to the book this weekend and I'm super excited about it. The art looks beautiful and I can't wait for you to see the finished book in November.

Sunday, 12 May 2019

Let's talk: Against the Darkmaster


It bears repeating that the OSR isn't just D&D, and the upcoming game Against the Darkmaster (VsD) is evidence of this. Starting as a bunch of Rolemaster house rules, VsD evolved into a ruleset if its own. Think streamlined, modified MERP. I've always found MERP pretty confusing in terms of layout and perhaps a little too esoteric, but it's always attracted me in a weird way.

You can download the deluxe quick start rules right now and a Kickstarter will go live sometime this year. Oh, and when I say quick start, I mean a 120 plus page book.

Everything uses a d100 mechanic, rolling d100 and adding various abilities and skills, cross-referencing with table to see how successful you've been. Combat is in the mid-crunch realm, relying on tables where damage is figured by looking at your weapon type and your opponent's armour, with damage having degrees of success and types of wound. Typically, this isn't the kind of combat system I go in for but it's all pretty simple.

Characters are formed of backgrounds, kin, cultures, and vocations, giving you a nice amount of customisation without getting too bogged down in min maxing. I like the kin types, like dusk elves, star elves and high humans, giving it a particularly high fantasy Tolkien feel. They each have their own attribute bonuses and special abilities. For instance, halflings gain double HP after eating a second breakfast. See what I mean about Tolkien?


Which brings us onto cultures, which is a mechanic I included in my own Dungeon Nights game, offering some extra background, equipment, skill ranks and helping to determine how wealthy (or dirt poor) you are. Cultures include City, which are obviously city or town dwellers, Woad, which are tribal folk, and Noble, who are rich types with privileged blood.

There are six vocations in the main game, but four in the quickstart. These include warrior, rogue, wizard, animist, dabbler and champion (the first four of which are in the QS). Your vocation offers you a pack of skill bonuses and/or vocational spell lores, which are types of magic, of which only wizard and animists can cast in the QS, but I'd imagine the dabbler will likely have some spells. You gain skill development points at character creation to choose which ones to upgrade, in addition to the innate bonuses you get. Ultimately, VsD is a skills game - your vocations don't get their own innate powers, but the wide array of skills actually make them highly customisable.

Speaking of customisation, we're not quite finished yet. Backgrounds can be purchased based on background points you get from your kin. For instance, my dusk elf rogue gained 3 background points, so I spent it on the major tier of Elven Training, meaning he can use his Swift attribute instead of Brawn when fighting with certain light swords, in addition to gaining a silver elf trait. Each background has two tiers that cost different points, so if you have enough points you could buy minor or major tiers in multiple backgrounds, rounding out your character and adding to their pot of abilities. Bring all of the above, kin, culture, vocation and background together and you have the ability to customise without being overburdened (looking at you, Pathfinder).

The game also has Passions and Drive. Passions are split into three categories: motivations, nature, allegiance. Each one of these is a statement the player comes up with at character creation with the help of the rest of the group. These are basically why your character is doing what they're doing and how they may react to situations. Passions link directly to drives, which is a mechanic that offers a boon. You can gain drive by playing on your passions, and spend it on bonuses, re-rolls and a few other nifty little things. It's a great mechanic that helps contribute to roleplaying and characterization.

I've not really sunk my teeth into the magic side of things yet, but it's point based and has the capacity to go wrong, which I really like. It's much more involved than your typical D&D OSR game, where casting spells can attract the attention of the Darkmaster himself and there are various modifiers to do with range, whether the target is moving and whether the spell is prepared or not that beef up the system a bit much for my taste. It's not overly complex, but I'd probably chuck a few rules out for streamlining purposes.

I'm super impressed with VsD as it stands and I look forward to backing the Kickstarter when it launches.

Image: Against the Darkmaster/ The Fellowship & Sego

Saturday, 4 May 2019

How I run games


I'm not saying that this is the right way to run a game, but it's the method that suits my GM style and my lifestyle.

I'm a fan of Sly Flourish's Lazy DM books and I take cues from these in terms of creating NPCs and locations, but not having anything fixed. I have to start a campaign with a hook, otherwise why bother, but after this hook it's fairly loosey goosey.

Take my current Aetherscream PF campaign. I have a setting (17th century aetherships, horror and Mediterranean fantasy), a hook (the PCs are finding their way home, a planet's godhead has vanished and may be their only hope of getting home), and some NPCs and factions (Will of the Elder as the theocratic church, Clayshrikes as golem augmented freedom fighters, Grey Ones as vastly knowledgeable underdwellers run by a hyper-intelligent psychic black pudding, Skywretches as an expanding empire of Hammer Horror monsters). I built in a couple of fun gimmicks, like the PCs pistols being Ghastlocks, guns that absorb monster souls and offer special bullet abilities.

The above took me the most effort to come up with but I also know it's a framework that I can alter as I go. Before every session I note a list of possible secrets that could be revealed in the session. Some of these come into play, others get crossed off or carried over to the next session.

I have a set of Rory's Storycubes I roll if I want to create a new NPC or simply understand what a situation entails. I find having these removes bandwidth from me, giving me a little random engine I can use to expand my universe on the fly. As a GM, you're the engine that drives the game, which uses a tonne of bandwidth. I use tables, lists, random rolls and the players to share the load.

Consequences matter. I don't think it's a particularly good game if the PCs have zero impact on the campaign world, so I note down how my world reacts to their actions and make sure they see it resolve. This can take the game in unexpected directions, which for me is the best part of a game. I have no prepared endpoint. I honestly don't think you can really play a good game if you already know how it ends, since you're essentially coaching your players towards that ending. I'm cool with dropping the main quest or hook altogether if something more interesting organically grows from play. At the moment, I have a couple of players that have written a manifesto in the game world to help unionise overworked guards. It stemmed from a joke, but is now going to have consequences to how the game world operates because I know how my world would react to this development. This could take things in a vastly new direction, but it may not.

Since it's Pathfinder, the most intense prep is creating maps and stocking them with creatures. This, by the way, is my least favourite part of GMing. Some people love it, but I do not. Before a session I'll make some notes on developments since last game, some new secrets, and take a location from my master list to flesh out if I know that's where they're heading. I couldn't give a shit about balancing "encounters", but I do it within reason since it's PF. I don't think too much about it - I know what dwells here, so I add the creatures that make sense and build the ecology on the fly. As an aside, I'm not a fan of long, drawn out combat. My fights rarely go to the death, with opponents either running away or surrendering. You get far more play options keeping a goblin alive than having them decapitated.

I used to have big bads with plot armour and all that nonsense, but that's dumb. If someone who I thought would be a tough big boss gets slaughtered by my min-max players then it simply wasn't a big boss. I don't want to be precious about any character in my game.

As I say, this isn't the only way to run a game. Some people love binders of intense prep, spending hours on their NPCs etc. This isn't a style for me. For me, less prep is more. It allows for flexibility and means that I don't get pissed if the PCs don't visit my intricately designed dungeon or meet an NPC with a page of backstory. Here's how I write an NPC: Talie Thundersnow, show-off thief, in love with Ozarn the potter. Hates the monarchy.

So, there's an insight into how I prep for and run a game. It might help you, it might not.

Thursday, 2 May 2019

Tunnels and Trolls cartoon adventure comic launches on Kickstarter

Tunnels and Trolls never had much in the way of peripheral material. Ken wrote a couple of novels, but it's high time we got some new T&T fiction. Fortunately, a new comic called Tunnels and Trolls Cartoon Adventure has just launched on Kickstarter by Spanish publisher Hirukoa.

From the KS page, the story revolves around a group of adventurers - an elf wizard, a dwarf warrior, a human wizard and a... centaur rogue. I have to say, the latter surprised me as I don't really think centaurs when I think T&T. Leprechauns and fairies, but not horse people.

Aside from being a comic, this is also a series of solo adventures, a GM adventure, new items and monsters, in addition to mini T&T rules. Now this has piqued my interest.

If this sounds like something that interests you, please go to the Kickstarter page.

Monday, 29 April 2019

Why I carry a torch for Tunnels and Trolls


This blog was originally only about T&T. That was over 10 years ago now and, as anything, it's evolved to talking about all sorts of games. However, I never want to lose my roots - T&T is near and dear to my heart and I want, in some small way, to help it succeed.

There used to be a small T&T blogosphere. The Omnipotent Eye, The Lone Delver, Trollhammer Press and The Delving Dwarf to name but a handful in the space. Unfortunately all the aforementioned are no longer updating and haven't for a few years in some cases. Even official locations like the Trollhalla community has fallen into the arms of Facebook - a place I refuse to go.

While I'm not going to turn Trollish Delver into a full T&T blog again (I have my OWN games to blather on about now) I do want to continue to carry the torch, to light the beacon of Tunnels and Trolls, because there are few now who do.

I don't want the game just to fade, but without fan support it just might do. T&T has always been bouyed by the community and when this no longer produces material then the game is at risk. Thankfully, Flying Buffalo are still putting out Kickstarters (Elven Lords, Vaults of K'horror, MSPE) and Ken is still writing (Mongoni Island, The Monster Maze of Zorr), but looking back over the past couple of years and support has been fairly minimal. This year so far there have been just two titles put out - my own Beneath Dark Elms and Ken's Mongoni Island. This time last year there had already been 8 products put out.

This is why I carry the torch. I'm passionate in helping to keep the game alive. As part of this, I'm announcing my upcoming T&T zine Phoenix. If you fancy contributing, please get in touch.

Art: Liz Danforth

Sunday, 28 April 2019

Venom Vegetation for S&W and T&T


Inspired by the current run of Flash Gordon Sundays at Comics Kingdom, here's the Venom Vegetation for S&W and T&T.

Venom Vegetation is a large plant with a huge gaping maw. Unlike most plants, this one feasts on unwary adventurers who become ensnared by a particularly devious trap. The plant cast an illusionary image in the mind of its victims of a person they desire. It then overloads the senses with a wonderful aroma, enough to make their victim approach the illusion and embrace it. Once embraced, the great jaws of the plant close over its prey, locking it in and digesting it.

S&W

HD4
AC 14 (5)
SV 12
Atk Special
MV 0'
Special: The Venom Vegetation casts charm person three times per day. If successful, the victim moves into the centre of the plant to embrace the illusion, before the jaws clamp shut. The victim takes 1d8 damage per round from the acid swilling around in their prison.

T&T

MR 64
Dice 7d6+32
Armour 4 (natural)
Special ability: The Venom Vegetation can create an illusion three times per day. The target must make a L2SR-IQ or become charmed, falling under the control of the plant. Thr victim moves into the centre of the plant to embrace the illusion, before the jaws clamp shut. The victim takes 2d6 Con damage per round from the acid swilling around in their prison. Armour is only half as effective.

The Venom Vegetation cannot attack in a conventional sense.

Saturday, 27 April 2019

Taking a look at Fours! 3d augmented printing by Ken St. Andre


Since I did my previous post about Fours!, the latest game from legend Ken St. Andre, the trollgod has released two more iterations building on his initial design.

As a reminder, Fours! was born from a conversation Ken had with John Wick about the minimum rules a game needs to be a functional RPG (the name question I asked myself before writing In Darkest Warrens). What he ended up with was a card-based generic system that totally works, but I did have trouble with some of the probabilities. Namely that it was fairly difficult to succeed.

The 3d edition has been slightly revamped and some extra bits bolted on by other writers. While three of the main stats have remained the same, Intangibles is now Resources (although the character sheet still reads Intangibles). The mysterious Avatar class has been replaced by Scientist, who now gets a +4 to smarts instead of Wizards, who now get a +4 to health. I'm not entirely sure on the reasoning here. With a super lite game, you have to rely on tropes to help build more information in the minds of players, so classes and stats should be familiar. I don't know why wizards should now get additional health. I'm not sure why scientist was the best replacement, but I suppose in a medieval setting you'd call it an alchemist or some variation.

I don't want to teach Ken to suck eggs - he's a far better designer than me, but I'd have perhaps had power, resources, smarts and spirit, with health being static, but each class getting its own bonus to health. Spirit would be force of will, resolve and magic, and useful for wizards.

I really appreciate Ken writing a short piece in the document about failing forward. He's obviously recognised that failure is more common than success and has made it a feature of the game. That's a very Ken thing to do. There are also some example spells and science examples (science is a lot like magic in Fours! very Arthur C Clarke), which are also a welcome addition. The edition also includes a random adventure ingredient generator, which I like.

I really like Fours! It's a breezy game that I think could be built out more and ironed out, but it really hits that lite sweet spot I like. I particularly love the advice that Ken gives about using the deck to determine the chances of anything being a reality in the game world. The example he gives is a player wanting to buy a drink and having to pull their suit to determine whether they actually have the money to pay for it. This really allows for some great emergent roleplaying opportunities.

Before I sign off, here's my Fours! character.

Red Tonya
Warrior (clubs)
Power 10
Smarts 3
Resources 1
Health 6

Stuff: Scimitar, rope, mail, dirk, map, torch.
The most important thing about this character is that she can both swash and buckle.

Pay what you want for Fours!

Tuesday, 23 April 2019

Why Tunnels and Trolls is so important to roleplaying


I'm not going to say that it's a crime that Tunnels and Trolls isn't more popular, but it's a damned shame. What makes it worse is that it's one of the most important roleplaying games ever conceived and a work of genius. Why? Let me tell you.

The year is 1974 and two visionaries - Gary Gygax and Dave Arneson give metaphorical birth to a highly unusual game. But for some, Dungeons and Dragons was overly complex and relied a bit too much on its wargaming heritage. One of these people was Ken St. Andre, a Phoenix librarian without a background in miniatures gaming, but a healthy love of science fiction, fantasy and comic books. Ken loved the idea of a roleplaying game, but didn't like D&D's execution, so in 1975 he released his own version. Originally Tunnels and Troglodytes, Tunnels and Trolls was arguably the second roleplaying game on the market (it gets a bit hazy here because Empire of the Petal Throne was self-published in 1974 and released by TSR in 1975 - but this was still based on D&D rules).

T&T re-invented what the roleplaying game could be. Instead of tables, funny dice and complex rules, Ken created a ruleset for himself and his friends that felt a world away from D&D. He introduced a universal mechanic in the saving roll that could be applied to any situation. The Monster Rating invention allowed GMs to create monsters on the fly with just one number and some imagination, and the stripped back class system was much simpler than in D&D. T&T was indie before indie was a thing.

While D&D became more rules-heavy through subsequent editions, T&T remained refreshingly simple, which was partly due to Ken's ethos of wanting to make a game that the players can own. T&T has always been about empowering players to create their own rules in their own worlds - a mentality that has become much more prevalent in the indie gaming scene more recently. My own home game probably isn't the same as Ken's or Steve Crompton's or whoever. Mine are a splice of 5th, 7.5, Deluxe and my own ideas. There are few games that remain as maleable.

I can't go on without talking about the humour instrinsic in T&T. The first edition was nothing like D&D's. It was sprinkled with in-jokes, cartoons and an informal tone. It wasn't to the same professional standard as the other game, having being typed up and 100 copies created, mainly for friends. Granted, there are some dubious things written in the 1st edition, and the spell name Yassa Massa is infamous in T&T circles, but this approach solidified the game as one that you didn't have to take too seriously. Unfortunately, some of the silly spell names have held the game back from gamers who are probably a bit too po faced, but it was this kind of design mentality that immediately set it apart from competitors (plus, I've always thought magic missile was dull as dishwater, while Take That, You Fiend was far more evocative. I can see a curmudgeonly wizard booming the latter). There's something in the game that makes it feel incredibly light at the tabletop, that encourages a creativity I've not seen in any other game. My own players will attest to this. Maybe it's because characters are a little more throwaway, being so quick to create, so it's not such a huge deal if they die. But maybe it's that perfect mix of easy rules and humour that brings out the best in people at the table.

I'm not trying to say that one game is better than the other - I'm a huge fan of early D&D editions, but D&D is having its time in the sun at the moment so I wanted to talk specifically about T&T. This is a game that had the biggest weapons table ever (jambiya and pilum, anyone?), a game that had solo play before Fighting Fantasy was a thing, a game where you can become a gremlin wizard, a game that cast away those wargaming shackles and forged a new path for roleplaying games forever.



Monday, 22 April 2019

The Cult of Unknown Knowns


Braskin Radle could never accept anything he was told. It began innocuously enough. His father, a cow farmer, explained to his ruddy-cheeked offspring where milk came from, but Braskin couldn't believe this were the case. A delicious drink coming from one of those dumb animals - absolutely ludicrous. No, milk surely came from a milk spring in the ground, Braskin hypothesised.

Now at 34, Braskin is a much bigger thinker. Birds were created by the king to sprinkle a magic dust onto the populace to keep them placid. The blue sky was obviously the backside of a mega dragon, with rain being its...toilet. The king isn't even real - he's a troll in disguise. Once branded the village fool, Braskin found himself with a following. He'd talk about his theories in taverns and some people latched onto his way of thinking. Yes, it seems far more plausible that the sky is a dragon's arse.

It began as a small meeting group. A handful of humans, dwarves and a couple of elves came together in a pub back room to talk about how the world was probably no more than a week old and they were living in some kind of time loop. As more people became interested the group grew into 50 people, all of whom venerated Braskin. He named them The Society of Unknown Knowns and through the donations he was recieving built a reservation in the country just for them. He figured that they were the only people he could trust, so living with them made sense.

One day, a dwarf called Groggin referred to Braskin as the High Wod, a corruption of 'word', and the name caught on. Braskin told them that modern clothing was made to control their minds, so they all wore clothes made of leaves.

It was 4 years until Braskin hit on his most brilliant realisation yet. That he and his society didn't actually exist. They had never existed. But it was their duty to be brought into existence in what he called The Grand Birthening. The society nodded in unison and asked for a blessing. "How do we become born?" Groggin asked.

"Ah, well, that's tricky," said Braskin. "But I'm pretty sure it involves speaking to a god.

"Right," replied the dwarf, "And how do we do that?"

"Oh, erm," the High Wod thought for a moment. "Well, to get a god's attention we'd need to do something big. Something drastic," a smile crept over his face. "We have to kill the king and drink his blood, I reckon."

"Blimey, very good, your worship."

Saturday, 13 April 2019

Celebrating Basic 5th Edition rules


I'm a big fan of 5e D&D. It's a fantastic ruleset, but it still has some unnecessary bloat (for me) that has been prevalent in the editions since 1e. However, I do think the free Basic rules are the best version of the 5th edition rules. Sure, you don't get the customisation of the main rules, but I'm old school - customisation is for the birds. Give me a dwarf with a hammer and I'll have a great time.

So I'm going to celebrate Basic 5e in some of my blog posts (I also enjoy the term O5R). This is all about using the free ruleset for everything. Classes are Fighter, Rogue, Cleric and Wizard. Races are Human, Elf, Dwarf and Halfling. All those extra rules in the core books - tossed out. You don't need them. You've got 6 backgrounds, too. That's plenty of customisation without getting bogged down.

There's the added bonus that Basic 5e is free, but unlike a starter set takes you all the way to level 20. If you wanted to spice up your game with free, official settings, then why not have a look at the Magic the Gathering settings Wizards put out? All free to download, adding new elements to your basic game. You could play a campaign for years just using this ruleset and a setting.

Friday, 12 April 2019

James Smith has passed away

I woke up to some incredibly sad news today that James Smith of the Dreams of Mythic Fantasy blog has passed away at the young age of 50.

I didn't know James well, but we chatted online occasionally and I was always thankful when he mentioned me and my work on his superb weekly OSR ñews roundup.

You can read the official announcement here.

Saturday, 30 March 2019

Quiet roleplaying


Quiet roleplaying, or perhaps slow roleplaying, is something I've been thinking about lately. Often games can move a breakneck speeds, players go from one location to the next, hack up some bad dudes and find the treasure. It's a tried and tested playstyle that works. Some people enjoy gonzo elements, where their world is a little (or a lot) crazy. Some prefer high fantasy with bright shining towers, marauding orc hordes and sky-surfing wizards. Others enjoy a dungeon-running campaign full of tricks and traps.

While I enjoy all of the above, I'm putting forward an argument for quiet, introspective roleplaying. Rather than just being a style of play, it's a genre in itself. Quiet roleplaying focuses far less on combat and more on journeying through environments, uncovering the lost histories of place. It's a session spent around a campfire, allowing characters to bloom in conversation. Monsters may exist, but they are unique and rarely pure evil. They are more likely to guard places of meaning rather than locations filled with treasure. The King of Foxes guards the forest of his ancestors. Magic is low and subtle. No fireballs, but a flicker of flame from a finger. Magic users are a rarity, but they inspire awe.

Quiet roleplaying takes inspiration from celtic folklore. Omens come in threes, a magical item is unique and truly wonderful, swans become maidens.

Players won't be going on quests to save a kingdom. They will be making good with a local god, bringing water to a village in drought, finding a way to exorcise a phantom.

The GM should be asking the players how their characters feel about a given situation. Ask them to add elements to the world. What animals are around? Who do they see on the road?

Here is a list of elements in summary:

- Journeys and environmental hazards
- Introspection - with prompts by the GM
- Little combat
- Human centric
- Low magic
- Celtic folklore
- Exploring history of place
- Low treasure
- Places have meaning outside of the material
- Omens
- Sessions based in a single location
- Wilderness, not palaces
- Monsters are unique and unlikely evil

For some, this play style won't sound like much fun. It's not balls to the wall fantasy, but I think there's a place for the quieter side of roleplaying, the slowplay.

Monday, 25 March 2019

Beneath Dark Elms (T&T) out now


I'm happy to announce that my latest GM adventure for Tunnels and Trolls is out now in pdf. Beneath Dark Elms is a low level forest romp where things might not be as they seem. Includes cover art by the wonderful Simon Lee Tranter.

(GMs will see what I mean. It's a different set up to the usual adventure and I don't want to ruin it.)

It's £4 over at DriveThrurpg.

"Fixing" missile combat in Tunnels and Trolls

Image: The archer by Bonie Varghese

Tunnels and Trolls has a lot going for it, but one of the more confounding elements has ever been the use of missile weapons in combat. Each edition has its own version of how pelting monsters with arrows should work and you can see why it's tricky based on the fact T&T combat is abstract.

For me, the closest rule that makes sense is in 5th edition. Player makes a Dex roll against a specific creature. If it hits, the damage occurs no matter what side wins the round. However, missiles do not count towards the HPT. I can get on board with this - the advantage of being an archer is that you can stay in cover and snipe off monsters. The disadvantage is that you have to roll to see if you hit in the first place.

In 7th edition, your missile attack counted towards the party's HPT if they make their Dec roll, which makes archers incredibly potent - too potent, and in Deluxe, well, things get even wackier by having missiles contribute to the HPT even if they DON'T succeed their Dex roll. This means if two sides of archers shoot one another and all miss, one side will inevitably take damage. Nope.

So here's the Trollish Delver method:

- Ranged combatants make a Dex SR based on distance and opponent size as usual.

- If they succeed the roll, they roll their weapon dice. This will come straight off the monster's MR or Con, armour absorbing, regardless of which side wins the round. This does not contribute towards HPT.

- The opponent makes a Luck SR based on the archer's Dex (or MR) divided by 10, rounded up (so against an archer with 23 Dex, they would roll a L2 Luck SR). If they succeed, they take half damage from the hit.

- An archer can make a missile attack as normal against a creature not engaged in melee. If they are engaged in melee, the SR to hit is increased by a level.

- An archer may choose to 'steady their hand'. This decreases the Dex SR they need by one level (to a minimum of 1) but halves damage dealt on a hit.

- If an archer is met in melee combat, they can fire point blank, but they would also take the full damage the attacking creature rolled.

- In a solo adventure, missile combat can be used  prior to the first round of combat before the opponent attacks. The opponent doesn't get a Luck SR. The range is always considered to be point blank (L1SR).

Hopefully this helps make missile combat a little more even.

Friday, 22 March 2019

How to get started with Tunnels and Trolls


If you're new to the tabletop roleplaying hobby or have only played D&D, you may not have heard of Tunnels & Trolls. It's a shame, really, considering T&T was so ahead of its time on release, being the second roleplaying game to be published. Ultimately, T&T is a simplified roleplaying game that uses just six-sided dice rather than the usual mix of polyhedrons.

Tunnels & Trolls, created by Ken St. Andre and published by Flying Buffalo, is now in its eight incarnation and the game's still going strong with fan support. Today I wanted to talk a little about what T&T is and how you can start playing.

How is Tunnels & Trolls different to Dungeons & Dragons?

T&T might have the alliterative ampersanding title that matches its closest rival, but the game is anything but similar. For one, it's much simpler to play, owing to its universal saving roll mechanic. While it seems old hat now, the T&T saving roll was revolutionary - a universal roll for anything you want to do. A saving roll isn't the same as a D&D 'save' - it's more like a check, but can also be used as a save. Roll 2d6 plus your attribute to hit a target number (i.e. 20 for a first level check). Much simpler than having several types of saves and percentiles for abilities.

Combat is the other major difference, and man is it different. In T&T, combat is abstract. All players roll their characters' combat dice and the GM does the same for monsters. The side with the highest total wins, doing damage equal to the difference of both rolls. It's mind-shatteringly simple and it's a lot of fun. No, it's not as balanced as D&D. Nothing about T&T is balanced, but it's fun as hell.

Finally, the third big difference is the number of classes and races, which are called types and kindred in T&T. In fifth edition, there are three key types - wizard, warrior and rogue. A rogue is not a sneaky thief - it's a rogue wizard with fighting ability and limited spellcasting. In later editions there are different additions here, including ranger and paragon, but ultimately they do all boil down to these three types. Kindred, however and super varied. The key kindred are human, elf, dwarf, hobb, leprechaun and fairy, but there are loads more including minotaur, vampire, uruk, troll and even dragon. As I say, balance isn't really a thing in T&T.


What edition do I start with?


Both D&D and T&T have a wide number of editions and 'in between' editions to select from. The first edition is pretty rough and ready, but I'd argue it's easier to get into than original D&D, but I've not met many people who still play this edition. Generally, people are split into three camps: fifth, seventh and Deluxe (eighth).

Fifth edition is a fan favourite. Released in 1979, two years before D&D's B/X edition, fifth edition cemented what T&T is and has barely changed since. It's a simple, rules-lite game with the 'death spiral' combat rules, meaning opponents lose their dice as their get injured, leading them to become weaker as the fight progresses.

Seventh edition is pretty much the same, but with a few rules tweaks and no more death spiral. Deluxe is essentially the master version of the rules, with lots of bolt on rules should you want it, but it's all optional. In effect, each of these editions are pretty much compatible with one another.

As a new player, I would start with 5th edition to get your feet wet. It's inexpensive to buy in PDF form and won't take you long to read cover to cover.


What about published adventures? 

I'm not going to pretend that T&T has anywhere near the adventure output of D&D, but it does have its own unique take on adventures. Here are some of the classics of the game:


However, where T&T really shines is in its range of solo modules. That is, ones that you play on your own without a GM. There are more solo modules than GM ones, which probably gives you an indication as to the types of gamers T&T players are. Most of these are tough and you'll likely go through several characters before you best them. Here are some classics:

  • Naked Doom
  • Arena of Khazan
  • Blue Frog Tavern
  • Sword for Hire
  • Gamesmen of Kasar (a personal favourite of mine)
  • Mistywood
  • Deathtrap Equalizer

There are many, many more recent additions by some fantastic writers, and they're never particularly expensive. 


How can I get started right now?

If you're super impatient and want to get to playing in minutes, MetaArcade have a Tunnels & Trolls Adventures app where you can play a solid catalogue of solo adventures, including some of the classics I mentioned above. Just create your character and dive in. 



Setting: Little Spout

Art: Valeriya Volkova http://www.valtastic.com/

Little Spout is an impossibility colourful village, where each resident wears bright primary colours crafted from the dye of the jib jib fruit. Little Spout rests in a humid region where the rainy season lasts for months on end. Food markets hang over the edge of waterways, where the only access to purchase is by canoe.

🙖

The villagers


Most villagers are human, but live to 130 years old on average, making it an elderly population. They speak the language Papo, which was given to them by the clouds. Some notable villagers include:


  • Farsi the powder shaman: covers naked body in bright powder to more easily commune with sky spirits. She fears the spirits are no longer talking to her. They need an offering of a basilisk's eye.
  • Pun the silent: a mute guard. Skin like leather. Has seen graverobbers around the ancient boa monument.
  • Helia the cook: always seen in front of a bed-sized frying pan. Needs swarri spice for the rain festival. This can be found in the surrounding jungle where the lion people live.
  • Tok the mudkisser: kisses the ground every hour to venerate the earth, as Tok's family has done every generation. Wants to marry Farsi but needs a bunbun fruit from the tallest tree on mount ketha.


Magical items


  • Love locket: embossed with a hand in the clouds. Anyone who touches one holding the locket has a 20% of falling for them.
  • Boa tattoo: covering the back or full arm. Grants the strength of a boa (+2 to strength based activities and damage).
  • Frog amulet: little jade frog. Allows the wearer to become a frog once per day. Lasts for 2 hours or until cancelled.
  • Fermented jib jib: wrinkly yellow fruit. Pungent. Heals disease instantly.


Threats


  • Lion people (Khoola): HD3, AC4(15), SV12, MV9, Atk spear (1d8), AL N, Special Poison (Save vs poison/1d4 extra damage). Lion-headed humanoids. Green fur. Territorial.
  • Shade demons: HD4, AC5(14), SV11, MV18, Atk claws (1d8+1), AL C, Special Shade (AC3,[16] at night). Appear on moonless nights. Lanterns lit to stave off. They take hearts.
  • Gargamo: HD7, AC4(15), SV7, MV8, Atk Two bites (2d8), AL C, Special Engulf (Save vs engulf/1d8 per round until saved). Giant reptile with bird beak. Resides in mountains. Bathes in mud pools. Beak made into a drug.


Monday, 18 March 2019

Tourism in fantasy roleplaying



I've been watching a lot of shows where people travel the world with a certain gimmick (by train, without using flights). It got me thinking about tourism in ye olde fantasy games.

The way I see it, you'd get some specialist tourism businesses. Jungle guides, desert exploration, mountaineering and 'extreme tourism' - descending into ancient dungeons for a real 'hero experience'.

Vindardum's Wild Dungeon Adventures

Ever wanted to be a real adventurer? To experience the wonders and dangers that real heroes face on a daily basis? Ever wanted to explore the ancient world beneath your feet? Vindardum invites you to an experience you will never forget.

For just 2000gp, you will spend three days delving into the most incredible ancient dungeons alongside trained adventurers who will guide you into the darkness. Discover treasures, new creatures and immerse yourself in history like never before.

Please note that while Vindardum makes safety the main priority, the nature of descending into dungeons is dangerous.

The Red Lion Jungle Company

The steaming jungles of Kathawalla are among the most beautiful places in the world, which is why the Red Lion Jungle Company is here to guide you through it. For just 1000gp, you will stay in a jungle tree hut with waiter service, a three course dinner and tours of some of the most amazing areas of the jungle.

Your tour guides will be fully trained in navigation and combat to ensure you have a fun, safe journey in the wild.

You can see areas becoming tourism hotspots. Whole economies fed by the coin of what are essentially holidaymakers. PCs could make some sweet coin signing up to help with these operations.

Saturday, 16 March 2019

Solo report: The Beetle


Occasionally I like to run a solo game. It allows me to play rulesets I've never had chance to look at and I can do it all on my own time.

Today I ran the upcoming edition of Romance of the Perilous Land using my own simple hacked up solo rules that I call Solo Cubes. It uses a d6 as an oracle, offering answers to questions (yes, yes but, no and etc). Anytime you get a 'but' or 'and', roll three Storycubes and interpret. I also use a raft of random tables to give me names, towns, items and more.

I rolled up a barbarian, Brec, at level 2. He's an artisan, worshipper of Cernunnos, and Escose native (far, far north). He was approached by a renowned merchant called Erynn who was going to travel to Orofaise to the south west. He was making a delivery of a special suit of armour to Dindraine, daughter of the king and hunter of the Questing Beast. Problem is, Erynn believed that thieves were watching him and would take the armour. Berc agreed to accompany him for 100gp, but Erynn stipulated that should they get list, Brec would get nothing.

On a frosty morn they set off on a 6 day journey to the city. On the first night they had no need to camp as they found a highland inn in which to rest. The inn was actually the meeting place for a group of cunning folk - all members of the Fellowship of Enchanters - a group in league with King Arthur and Merlin. The host was gracious and even supplied a (weak) potion for Brec's journey. They told him that brigands weren't really dangers in these parts - a recent crackdown had seen many arrested. Bless those Escose guards.

After bidding the friendly wizards farewell, the duo made their way past an ancient watchtower. Brec halted when he spotted tracks leading up to the tower. He identified them as Pech tracks - gnome-like creatures who blend heather to make strength potions. This was an ancient race not to be trifled with. "We should watch our backs," warned the barbarian, "A band of Pech would make short work of us." (These are HD4 beasties with a pretty ferocious attack - even one would be tough for Brec).

Shortly after they spotted a man fleeing across a bridge. Behind him were four Pech, hungry for blood. The two ducked behind cover. Brec felt guilty, but they would surely all be killed if they tried to intervene. Unfortunately, while three chased the fellow off, one Pech remained to guard the bridge. Not good.

"We mean you no harm," Brec said gently. He would try to charm his way across (not a bad cha 12 for a barbarian). He even rolled fairly well.
"The sorcerers," said the squat, bulky creature, "I will let you cross if you slay them." He was obviously talking about the cunning folk at the inn. There was no chance Brec would do that. Drawing his longsword, he leapt at the creature with a battle roar, rage in his eyes. The scrap was bloody and eventually Brec fell unconscious.

Brec woke up in a soft bed, a bearded man looking over him. He was back at the inn. The cunning folk had scared the Pech away and taken him in for the night. Thankfully Erynn was there too. Brec owed his lives to the fellowship and would see them repaid in one way or another.

The bridge was now overrun with Pech, so they had to find another way. Brec knew of a route through an abandoned town, a derelict victim to the dragonwar. It was 7 hours out of the way, but he didn't fancy another fight with multiple Pech.

The burned out town was eerily silent, but Berc could see nobody following them. They made good time through the town and decided to camp in the ruins. That night, when Berc was keeping watch, he spotted several people moving in the shadows. "Show yourselves," he boomed. Three leather-clad men with blades drawn stepped into the moonlight. "The armour," one said. Berc smirked and launched at them. The first was instantly decapitated while the others put up more of a fight. Blades danced, clashing in the silent air. The next fell, gutted by the barbarian longsword. The last threw down his blade. "Who sent you?" Brec cried, his blade at the assailant's throat.
"The Beetle," he stuttered. Brec came to regret what he did next. With a flash, the final assassin was dropped. "This armour better be worth it, merchant."

The proceeding days were uneventful, travelling the wilderness. In the final days they found a camp. It had been wrecked and blood was everywhere. A wolf feasted on a body, but soon padded away. "They could be in league with this Beetle," Erynn said. Brec nodded. "Not doing much now though." He spotted a locked chest. Smashing it open he found a metal moon ornament. Suddenly he could hear whispers and voices and soon realised that he was hearing the animals around him. "This could be useful," he said, stuffing it in his pack.

"You shouldn't steal," came a voice. A masked figure had entered the camp. He was dressed in black and the mask was pure white. His armour resembled a scarab.

"So you're the famous Beetle," Brec scoffed. The figure nodded before twirling his blade and charging the barbarian. Brec deftly dodged the blow and went into a full rage. He struck the assassin in the chest and sunk his blade inside. "We won't stop," the Beetle coughed, "Mordred sends his regards." His body flopped to the ground.

The rest of the journey went without issue and they arrived in Orofaise in tact. Erynn paid Brec the agreed money and went on his way.

Brec remembered his time with the wizards and reflected on his own place in the world. He hadn't thought much about the doings of Camelot up in Escose, but clearly these were dark times. Perhaps he now had a purpose. Maybe Camelot should be his next destination.